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Piano Pieces by Leoš Janáček nad Options of Their Interpretation
Landkammerová, Veronika ; Gregor, Vít (advisor) ; Tichá, Libuše (referee)
Résumé The bachelors' thesis The piano pieces by Leoš Janáček and options of their interpretation deals with the life, the style of composing and the music contribution of Leoš Janáček and with his piano pieces. The first part of the work occupies itself with Janáček's Moravian origin, his attitude to music, studies and his success and failure. The work shortly describes his family life because it influenced his oeuvre and credo very much. It summarizes the most important attributes of master's style and as for the piano pieces it gives instructions how to study the pieces as a performer. The second part concerns with the piano-only work. Each piece is being investigated, the options of their interpretation are being looked up and the problems of interpretation are being discovered. Solutions of them are being found on audio recordings by important Czech interprets of Janáček's work. The bachelors' thesis comes to the conclusion that Leoš Janáček was an original, singular composer of world stature. He was a unique person who was and up to the present time is in a class of his own. His work was a great asset to music world and life. The piano pieces are mostly intimate and by investigating we find out that the options how to understand them are unlimited. It's important that the tones "go through the furnace...
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Piano oeuvre of Eduard Hagerup Grieg, its interpretations and possible aplicattions
Štěpánková, Barbora ; Gregor, Vít (advisor) ; Tichá, Libuše (referee)
Working in the introduction briefly remind the life of the composer and readers closer Lyrical pieces, which for the analysis of piano works, the author chose. In other chapters focuses on the individual characteristics of the piano music of Edvard Hagerup Grieg and proves it on the selections. Among the discovered features include: inspiration folk creation, simple composition works, playing with basic motive, use of arpeggios, composer's creative work with octave and unison, shortened echoes, long bass, chromatic and diatonic practices and changing hands in the lead melody. It is focused on a brief analysis of the lyrical piece Wedding Day at Troldhaugen, proves on analysis discovered features work and strive to interpret the songs where the author comes from her own experience and from listening to recordings stored on Bergen library and recordings of the Edvard Hagerup Grieg interpretation. In conclusion, the author presents a chapter on the possible use of Lyrical pieces.
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